Showing posts with label Playing for Thrills. Show all posts
Showing posts with label Playing for Thrills. Show all posts

Sunday, June 27, 2010

"Hot and Cold, Measure for Measure" Review

Zhang Ming, the central character of “Hot and Cold, Measure for Measure,” is the medium through which the author, Wang Shuo, can idealize and defend the idea of liumang culture – a broadly defined but notoriously known term that symbolizes hooliganism, eroticism, crime, and anti-social / against-the-norm behavior.

Zhang Ming displays a contradictory, dual behavior. He has many vices as a blackmailer, pimp, deceiver, and seducer. The business he runs involves pimping prostitutes, then blackmailing the male clients as he storms into the room disguised as a police officer, forcing the men to pay him large sums of money. He seduces Wu Di with his confidence and wit, and closes the deal with lies of love for her—but he seems to care nothing for her. In this sense, he is a liumang.

Yet he also has a sense of morality. He displays kindness and generosity towards certain individuals – he gives up a seat on the bus to a woman and her child, and he freely gives away a concert ticket to strangers, even after they have offered him double the listed price. His other ‘admirable’ qualities: he has the wisdom of a cynic and realist – a wisdom directly implanted by Wang, who grew up dismissing the ideas of the Cultural Revolution, refusing to enlist to its call. Zhang has a mind that does not listen to the regimented commands of the education system, and for this he seems to be above everyone else.

Throughout his seduction of Wu Di, Zhang seems so cool and clever. He is dangerous but charming, insulting yet flirtatious, and seems to have a wisdom that has ascended above that of the well known educators, speakers, and students. This attitude of his wins over Wu Di and, according to him, he ‘gets her into the sack’ after lying to her with words of love. For the readers, he shows us how it’s done.

With all these qualities, he seems to be a hero with flaws, but he faces no consequences for having them. His vices are justified and even glorified by his confidence and wit. His lifestyle is freestyle – making a living off the vices of men, unbound by the structured labor force, and seeking pleasures anytime he wants. This glorification calls out to the youth of China to follow suit.

But this story makes a larger statement than how to be cool, how to seduce women, or how to pull off a crime. It tells the people to not accept how they are told to think, live, and love.

Saturday, June 19, 2010

Primary Texts Covered in this Course

Farewell My Concubine (bawang bieji 霸王别姬), a 1993 film directed by Chen Kaige 陈凯歌
To Live (huozhe 活着), a 1994 film directed by Zhang Yimou 张艺谋
Yellow Earth (huang ditu 黃土地), a 1984 film directed by Chen Kaige陈凯歌
Platform (zhantai 站台), a 2000 film directed by Jia Zhangke 贾樟柯
Music from Cui Jian 崔健
Post-Tian’anmen T-shirt Culture
Music from Teresa Teng 邓丽君
Music from Ai Jing 艾敬
Music from Jay Chou 周杰伦
Crouching Tiger, Hidden Dragon (Wu hu cang long 臥虎藏龍), a 2000 film directed by Ang Lee 李安
Beijing Bicycle (shiqisui de danche 十七岁的单车), a 2001 film directed by Wang Xiaoshuai 王小帅
Selections from Playing for Thrills (Wanr de jiushi xintiao 玩儿的就是心跳), a 1989 novel written by Wang Shuo 王朔
Candy (tang 糖), a 2000 novel written by Mian Mian 棉棉
Hero (yingxiong 英雄), a 2002 film directed by Zhang Yimou 张艺谋
Kung Fu Hustle (gongfu 功夫), a 2004 film directed by Stephen Chow 周星馳